THOMAS FRIENDS MISTY ISLAND RESCUE TAKE N PLAY SERIES
This last book was unusual, in that it was written specifically by Christopher Awdry in order to be adapted for the series, as a contractual obligation of the series at that time was that it could not create original stories that had not previously appeared in print. The second season took stories from Book 9 to Book 30. The first season took stories from the first eight books, along with one specially written by the Rev. It was joined by a large version of James in the tenth season.įor the first two seasons the series was closely based on stories from the Railway Series. Beginning with the ninth season, the Thomas model also interacted with the narrow gauge engines. In Season 6, the characters known as "the Pack" were also constructed to a large scale, and large models of Thomas and Percy were made to interact with them. Models were later constructed entirely from scratch.įrom Season 5 onwards, some larger scale models were used for the Skarloey Railway characters, in order to make it easier to fit the complex mechanisms into them while retaining a sufficient level of detail. Coaches and trucks were made using Tenmille kits. As well as the eye mechanisms, these bodies also include smoke generators.
They used chassis made by Marklin with specially made bodies. The models were initially built to a scale of 10 millimetres to the foot. Each character has several different faces to convey different emotions. The characters' faces are sculpted from foam rubber. However, their eyes do move by use of remote controlled mechanisms. The use of a narrator removes the need to make characters' mouths move when they speak. In recent seasons, CGI has been used to generate smoke and other effects. Stop-motion is generally used for instances in which a human or animal character is seen to move. The locomotives and other vehicles move, but people and animals are generally static. The series is animated using live-action models, seen at the time of first production as the most effective way of realising the stories without the cost and expense of conventional animation.
Each episode consists of a four and a half-minute or seven-minute story, told by a narrator.
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